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Biographical Note

Seremetakis, C. Nadia

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As the first Greek national to be comprehensively trained in American cultural anthropology, Seremetakis challenged entrenched homeostatic binary inversion models of death rituals and gender relations in Anglophone Mediterranean social anthropology.

Based on long-term fieldwork and unprecedented linguistic expertise, Seremetakis rejected assumptions of social totality through intricate performance, divination practices, embodied labour, and a feminised material culture.

Her integration of the senses and material culture has methodologically influenced recent symbolic and cognitive archaeology. Seremetakis’s linkage of material culture and emotions registered methodological advances in the anthropology of the body comparable to Julia Kristeva’s theory of abjection. In the 1990s, Seremetakis personally translated her American publications for Greek publication, crafting a much-needed Greek technical vocabulary for core methodological concepts of cultural anthropology.

From 1991 to the present Seremetakis published numerous public anthropology articles in major Greek newspapers and a book of poetry (1999). ...[She has] won awards... and was the subject of a 30 minute television documentary (2002).

Education
BA Queens College.
MA New York University.
MA New School for Social Research.
Ph. D. New School for Social Research.

The Last Word ] The Senses Still ] Identities in Pain ] Ritual, Power and the Body ] Palinostisi Esthiseon ] Crossing the Body ] The Last Word  in the Ends of Europe ] Come to Eros ] Introduction to Modern Greek Ideology and folklore ] Gender Studies or Women ] Memories of the Aftermath ] The Eye of the Other: Watching Death in Rural Greece ] Onassis Center ] Kalamata 10 Years After the Earthquake ] The Other City of Silence ] History and Material Culture... ] Philosophical and Poetic Journeys... ] DEPAK ] On the Branches of Memory ]